Work Title: “The Moon Waxes and Wanes”
Creation time: 2021
Work Category: Installation Art
Work size: 5*0.2m
Work materials: Moonlight lamp, facial tracking sensor
Creation Description: The inspiration for “The Moon Waxes and Wanes” comes from the Fengshui pool in a rural ancestral hall in Songyang, Zhejiang Province – a traditional wisdom that condenses the universe in a small space. The work transforms this concept into a dynamic light and shadow installation.
A light simulating the phases of the moon was suspended in the dark space. Its built-in face tracking technology enables the “moon” to move synchronously with the viewer’s movement, creating a unique interaction of “as I walk, the moon follows; as I stay, the moon waxes.” When a person stares still, the halo gradually fills up. Once you leave, the phases of the moon begin to wane.
The work interprets the ancient Eastern philosophy that “when the moon is full, it wanes; when things reach their extreme, they reverse.” It uses contemporary technological language. The viewer is both the driving force that triggers change and the subject of contemplation. Between movement and contemplation, they personally experience the eternal rhythm of the mutual transformation between “fullness” and “deficiency”.
作品名称：《月盈则亏》
创作时间：2021
作品类别：装置艺术
作品尺寸：5*0.2m
作品材料：月光灯、人脸跟踪传感器
创作说明：《月盈则亏》的灵感源自浙江松阳乡村祠堂中的风水池——一种将宇宙缩影于方寸间的传统智慧。作品将这一概念转化为动态的光影装置。
一轮模拟月相的灯光被悬挂于幽暗空间。它内置的人脸追踪技术，使“月亮”能随观者的移动而同步位移，形成“人行月随，我驻月盈”的独特互动。当人静止凝视，光晕渐满；一旦走开，月相便开始亏缺。
作品以当代科技语言，诠释“月满则亏，物极必反”的古老东方哲思。观者既是触发变化的动能，也成为沉思的主体，在移动与凝视间，亲身体验“盈”与“亏”相互转化的永恒韵律。