Work Title: “Crossing on the River Island”
Creation time: 2025
Work Category: Installation Art
Work size: 0.5m*20m
Materials for the work: Water and ink, a long roll of paper
Creation Note: “Crossing on the River Island” reconstructs a spiritual waterway with ink wash painting. The ink of varying shades, like boats and reeds, spreads the ripples of time on the paper. The interwoven brushstrokes of dryness and moisture draw points, lines and surfaces, interweaving into an abstract canal that has no end. It does not flow through geography but ripples in the cultural context – the gradation of ink is like the richness of the Northern Song Dynasty and the subtlety of the Southern Song Dynasty, quietly transitioning between dry and wet strokes. At the water mark 漫漶, there is a superimposed image of a classic and a manuscript of poetry; Amidst the fleeting white Spaces, there is the breath of poetry and the artistic conception of a painting. The entire scene is like an eternal ferry crossing, where the inheritance of culture swings, converges and grows, and finally stops at that “island by the river” symbolizing growth and continuity. In the interplay of movement and stillness, reality and illusion, a silent thousand-year crossing is completed.
作品名称：《渡·在河之洲》
创作时间：2025
作品类别：装置艺术
作品尺寸：0.5m*20m
作品材料：水与墨、一卷长纸
创作说明：《渡·在河之洲》以水墨重构了一条精神的航道。浓淡氤氲的墨色如舟如苇，在纸本上推开时间的波纹；枯润交织的笔触牵引点、线、面，交织成一条不见始终的抽象运河。它并非流淌于地理，而是荡漾于文脉——墨韵的浓淡犹如北宋的浑厚与南宋的幽微，在干湿皴擦间悄然过渡。水痕漫漶处，是典籍与诗稿的叠影；飞白留隙中，有词章与画意的呼吸。整幅画面仿若一个永恒的渡口，文化的传承在此摆荡、交汇、生长，最终停驻于那个象征生发与绵延的“在河之洲”，在动静虚实间，完成了一场无声的千年横渡。